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Our Writers

The correspondents, critics and columnists whose voices fill the Post.


Portrait of Darius Cole

Darius Cole

Culture Writer

Darius covers the city's galleries, studios and late-night venues. He spent six years booking independent stages before trading the box office for the byline, and he still believes the best review starts with staying until the lights come up.

Portrait of Maya Lindqvist

Maya Lindqvist

AI & Technology Correspondent

Maya reports on artificial intelligence from the labs where it is built. A former research engineer, she translates breakthroughs into plain language — and asks who benefits every time a model gets smarter.

Portrait of Jonas Okafor

Jonas Okafor

Finance Editor

Jonas leads the finance desk, from personal banking apps to central-bank pilots. He has covered three market cycles and still keeps a paper ledger, which he claims keeps him honest about everyone else's numbers.

Portrait of Sophie Marchetti

Sophie Marchetti

Lifestyle Columnist

Sophie writes the Post's most-read column on work, rest and the space between. She is currently testing every claim of the slow-living movement personally, including the four-day week — twice.

Portrait of Noah Feld

Noah Feld

Sports Writer

Noah covers the intersection of athletics and technology — wearables, training data and the quantified amateur. He runs marathons slowly and tests every gadget he reviews on race day.

Portrait of Elena Petrova

Elena Petrova

Design & Culture Critic

Elena critiques design the way others review films — closely, and with strong opinions about endings. She leads our coverage of digital exhibitions, studios and the tools shaping visual culture.

Portrait of Isabella Romano

Isabella Romano

Economics Reporter

Isabella follows the money from trading floors to kitchen tables. Her reporting on sustainable finance and digital money has been cited by policymakers — she would still rather explain it to her grandmother first.

Portrait of Marcus Webb

Marcus Webb

Senior Editor

Marcus has edited the Post for over a decade and writes the Sunday letter. He believes a story is finished when there is nothing left to remove — a rule he enforces with a red pen and zero exceptions.